Grace Danico

Case Study · Illustration & Surface Pattern

Red Bull Music Academy Festival Los Angeles

A suite of hand-drawn surface patterns for RBMA Festival LA — built to live inside Public-Library's identity system and hold up from a phone screen to a ten-storey building wrap.

Ten-storey RBMA Festival LA building wrap in downtown Los Angeles, carrying the black-and-white mark-making surface pattern

01 — The Brief

One festival, nineteen shows, no single sound.

RBMA Festival LA ran across most of October 2017 — Ryoji Ikeda scoring a hundred idling cars, SOPHIE's live debut, an Alice Coltrane tribute with Flying Lotus, a night at Hollywood Forever. Public-Library built the identity around “the passage of perception”; it needed a layer of texture that could hold all of that range without flattening it.

My brief: a set of hand-drawn surface patterns that worked at every scale and budget — a billboard on Sunset, a xeroxed handbill, a phone screen in a dark room.

RBMA Festival LA hoarding along Sunset Boulevard, patterns tiled between the type panels
Wheatpaste poster wall for RBMA Festival LA, the hand-drawn patterns repeating across every panel

02 — Approach

Many marks, one hand.

I drew the patterns by hand — hatching, mazes, confetti, loose scribble — a family of marks Public-Library could pull from for any event artwork or surface, distinct from each other but loose enough to still read as one set when they sat side by side on a wall.

  • — Hand-drawn, then built as seamless repeats
  • — Tuned to Public-Library's type and color
  • — Tested small (handbill) before large (wrap)
03 — The Patterns

A set of hand-drawn motifs — hatching, mazes, confetti, swirl — built as seamless repeats and color-matched to the identity, so the cheap flyer and the ten-storey wrap are visibly the same family.

RBMA Festival LA campaign photograph — a pink garment printed with the hand-drawn hatch pattern against blue

A family of marks

Each pattern its own texture — hatch, maze, confetti, scribble — but all unmistakably drawn by the same hand.

Downtown LA building wrap — the black-and-white zigzag pattern tiling seamlessly across ten storeys

Tiling at any size

Drawn as true repeats, so a motif holds its rhythm on a handbill and on the side of a building.

RBMA Festival LA billboard with the red maze pattern filling the panels around the artist portrait

Across OOH and digital

Billboards, wheatpastes, building wraps, social — the patterns are what tie the campaign together.

In use — a different pattern in every event's artwork

Public-Library set each night's poster on one of the patterns — hatch for the punk talk, meander for the studio sessions, whorl for the Alice Coltrane tribute.

Alice Bag event artwork — diagonal hatch pattern in the lower-left block Benjamin Tierney studio-session artwork — meander pattern block Todo Es Metal artwork — red-and-white maze pattern block Alice Coltrane tribute artwork — concentric whorl pattern block Dâm-Funk Red Bull Radio artwork — meander pattern block
04 — Results

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Hand-drawn patterns in the suite

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Festival events under one visual identity

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Days of programming — October 6–30, 2017

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Hand-drawn source art — every mark original

The patterns carried a month of programming across LA and never once fought the type. Getting to sit that quietly inside someone else's system is its own kind of result.

RBMA Festival LA building wrap on Melrose Avenue, patterns anchoring the full campaign lockup

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Los Angeles Archivists Collective