Grace Danico

Case Study · Brand Systems & Strategy

Bloom & Plume Coffee

Bloom & Plume the florist makes $200 arrangements. Bloom & Plume Coffee had to put that same world in a $5 cup — in Historic Filipinotown, in a room built for everyone.

Bloom & Plume Coffee storefront — periwinkle facade, neon rose-and-hand sign, orange café chairs

01 — The Brief

A $200 florist, in a $5 cup.

Maurice Harris built Bloom & Plume as floral art — lush, Black, unapologetically ornamental, and mostly seen at $200 a stem. With his brother Moses he wanted a second front door: a coffee shop in Historic Filipinotown, next to the flower studio, that anyone could walk into.

Under Maurice's direction, my job was to carry the Bloom & Plume feeling onto the cheapest thing in the room — a paper cup — and everything around it: the illustration, the packaging, the shop, the website, the merch.

A hand lifting a striped market tote full of yellow ranunculus, with the Bloom & Plume florist patch — the world the café had to translate
The Bloom & Plume Coffee neon — a raised fist gripping a rose, glowing purple and orange on the café's periwinkle wall

02 — Discovery

Beauty and power, which Maurice never separates.

His arrangements are one half of the reference — the color, the density, the refusal of a safe neutral. The other half is what the café is for: in his words, a space “filled with color, from a person of color's perspective, that centers people of color.” The identity had to hold both.

  • — Palette pulled straight from Maurice's florals
  • — African heritage referenced directly, not as decoration
  • — Every surface speced to print cheap and reorder often
03 — Design System

The Bloom & Plume seal already existed. Everything drawn on top of it was new: an icon, a botanical illustration system, hand lettering for every headline, and the objects it all lands on.

The fist-and-rose icon embroidered on a Bloom & Plume Coffee cap

The fist and the rose

I drew the café's icon — a raised fist gripping a single rose, beauty and power in one line. It runs as neon on the wall and across every piece of merch.

A Bloom & Plume to-go cup wrapped in a hand-drawn botanical illustration

A drawn system, hand-lettered

Loose botanical drawings pulled from Maurice's arrangements, and hand lettering on every headline — including the café's tagline, Thirst Come, Thirst Served — all of it mine, across the cups, bags, fans and merch.

A Bloom & Plume cup printed with a Kente-cloth pattern built from the brand's head-in-keyhole silhouette

A Kente cloth of the silhouette

The family's African heritage, referenced directly: a Kente-cloth pattern built from repeats of the Bloom & Plume head-in-keyhole silhouette. I designed and sourced the cups it prints on.

A Bloom & Plume Coffee church-style hand fan — 'Oh Taste and See What We Have for Thee'

“Oh Taste and See”

Church-style hand fans, designed and sourced — a Black-Southern-church object dropped into a coffee shop, doing exactly the work the whole brand does.

04 — Results

Bloom & Plume Coffee opened in Historic Filipinotown in 2019 and still runs on the same drawings — the fist and the rose, the florals, the Kente silhouette. Thirst come, thirst served, in my hand lettering, on the cup and on the shirt.

The 'Thirst Come, Thirst Served' tie-dye long-sleeve tee I designed — hand-lettered tagline in a burnt-orange block over blue-and-purple tie-dye, worn with the 'I Am Somebody' hem tag

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